Bappi Lahiri : A Journey from Melody to Disco

Bappi Lahiri : A Journey from Melody to Disco

Young Alokesh was really a chip off the old block. He began learning Tabla at the tender age of three and went on to train himself in various aspects of Music from his classical musician and singer parents Bansuri and Aparesh Lahiri. He became composer at the age of nineteen with Bengali Cinema. Later, when he began putting his feet on the glossy film world of Bombay in 1973, he became popular as Bappi Lahiri.

His critiques would also have conceded that he has always composed soulful melodies. Every successful composer had to follow the contemporary trend in songs. The commercial pressure would always supersede the creativity but those who could innovate under pressure have made their mark. Bappi Lahiri has made his trail with his inimitable style.

70’s musically rich compositions or 80’s disco centric songs, Bappi Lahiri had maintained the core melody. Balanced bass line with trendy rhythm and instrument rich orchestration has been his style. On one hand he worked extensively with legendary Kishore Kumar, Lata Mangeshkar and Asha Bhosle and on the other hand he gave opportunity to singers like Vijay Benedict, Sharon Prabhakar, Anupama Deshpande etc. Songs that he sang in his own voice and style are totally a separate repertoire to explore.

Let’s look at some of his selected compositions with their highlights to understand and enjoy Bappi da’s music in better way.

Aao Tumhe Chand Pe – Zakhmee (1975)

Taking precedence of Jingle Bell’s tune, lovely rhyming song is composed with uncluttered arrangement suiting to children’s song. Sweet sound by blending Vibraphone and Guitar, harmony on flute and simple rhythm makes it sound perfectly tailored for a mom and child song.

Aao Tumhe Chand Pe – Zakhmee ; Sung by Lata Mangeshkar & Sushma Shreshtha ; Written by Gauhar Kapuri

Pyar Mein Kabhi Kabhi – Chalte Chalte (1976)

Chalte Chalte marked his arrival loud in Hindi Film Music. This song is a wonderful example of creative rhythm arrangement. Tempo of the song is pacy and set on 3/4 beats but in antra it shifts to Keherwa theka i.e. 4/4 beats and again moves back to original 3/4 beats in mukhda. Vibrant strings and strokes (Guitars) arrangement renders the mood of outdoor romance.

Pyar Mein Kabhi Kabhi – Chalte Chalte ; Sung by Shailendra Singh & Lata Mangeshkar ; Written by Amit Khanna

Muskurata Hua Mera Yaar – Lahu Ke Do Rang (1978)

One of Kishore Kumar’s under rated and lovely song. Even though the mood is of fun and romance and there was quite liberty to stuff the composition with instruments, the arrangement is kept absolutely simple with lovely Strings score and Saxophone interludes. Spot light is on its rhythm. The beats are 4/4 but played like Indian Keherwa theka on Conga. It sounds like played on Dholak.

Muskurata Hua – Lahu Ke Do Rang ; Sung by Kishore Kumar ; Written by Farooq Kaisar

Hothon Pe Jaan Chali Aayegi – Patita (1980)

A song of romance and gracefully depicted sensuality. Kishore Kumar’s soft and controlled singing adds the sensuous feel in the composition. The remarkably minimal arrangement with simple rhythm on Tabla , rhythm Guitars, dominant Xylophone strokes and quite essential melody on Saxophone makes the melody elegant.

Hothone Pe Jaan – Patita ; Sung by Kishore Kumar ; Written by Anand Bakshi

Mere Jaisi Haseena Ka Dil – Armaan (1981)

Inspired from Dr Hook’s When you are in love with beautiful woman, this song had improvisation in terms of addition of lovely strings score, the tune of antra and insertion of cross line in the voice of Bappi da himself. The Bass line and Electric Guitars score are equally in sync of pacy melody.

Mere Jaisi Haseena – Armaan ; Sung by Sharon Prabhakar & Bappi Lahiri ; Written by Anjaan

Yaad Aa Raha Hai – Disco Dancer (1982)

As the name of the film suggests, the composition had to be an electrifying dance number. Apart from having a melody expressing lot of emotions on foot tapping beats, an ear catcher was its strings score. The harmony on strings i.e. violins in the background of this disco song is beautifully crafted and synchronized. Sung by Bappi da himself, its been favorite among his fans ever since it was released.

Yaad Aa Raha Hai – Disco Dancer ; Sung by Bappi Lahiri ; Written by Anjaan

Yaar Bina Chain Kahan Re – Saaheb (1985)

Inspired from the Bangla folk Song Je Jan Premer Bhab Jane Na , Bappi da transformed the whole composition from a folk song to a dance number keeping original melody same. Apart from fast Drum beats, he added a continual bass groove, prominent electric guitar punches and synthesizer notes. Voice of great South Indian Singer S.Janki brings freshness in the song.

Yaar Bina Chain Kahan Re- Saaheb; Sung by S.Janki & Bappi Lahiri ; Written by Anjaan

Just like his inimitable fashion statement, Bappi Lahiri also has delivered melodious music over last five decades. His music will remain ground breaking for future composers.

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