Shailedra : A Creative Genius with Awaken Conscience

It had been almost a decade of India being independent of the British rule. Those who dreamt of creating the golden land and nurtured the dream of great country were witnessing the struggle of an infant trying to stand on its feet. The destination was still very far. While the socio-economic landscape of India was settling, there was a group of artists who were trying to invoke the movement against …

Jaikishan : The Charm of Music

He was always a man of warmth. A prince in appearance and a king by heart. Dressed in shining Shark skin fabric trousers, crisp shirts and pointed shining leather shoes with his carefree strands of hair running around the forehead, whenever he entered the studio or a party, all the eyes always used to be on him. Jaikishan was really a charmer. His music has always reflected his persona. Music …

The Title Music That Became Identity of Film

What could possibly be interesting in a 2:45 minutes title music ? Given that it has no lyrics , no singing and not much of an instrumental interplay , it is not surprising that it has not been much discussed and yet, it’s much loved, obsessed and cherished piece of music by all music lovers. Title track of Sholay is nothing less a milestone than the film itself. Pancham‘s music …

How Accordion Changed the Sound of Hindi Film Songs

It was May 1869. Cyrill Demian, an organ and Piano maker in Austria was about to file a patent for his newly developed box type instrument. It could be carried anywhere and played. That was the need of time. Little did Cyrill and his two sons Karl and Guido realized that their newly patented instrument would bring a freshness to music of Hindi Cinema after 121 years. Cut to the …

Remembering Shamshad Begum : A Singing Star of Yore

Na Kahu Sang Dosti, Na Kahu Sang Bair…. as Kabir said was the motto she followed all her life. Otherwise how could it happen that a singer who worked with the top composers of 30’s and 40’s like Pt. Amarnath, Ghulam Haidar, Husnalal Bhagatram, Naushad, S.D.Burman etc and who was a top playback singer of her time, stayed almost out of limelight in her career. Had Shamshad Begum followed the …

Jane Kya Soch Kar : An Emotional Expression in Two Versions

Sur, Taal aur Talaffuz as it is said in music training, are the three foundation pillars of good singing. When Latabai as she was fondly known in her initial days, joined the film industry from her humble maharashtrian background, composer Naushad had asked her to take Urdu lessons to improve her Tallafuz. Now what is this thing and why is it so important that even the singer like Lata Mangeshkar …

Jeevan Se Bhari Teri Aankhen : A Beauty in Simplicity

It’s been always a point of debate among informed music lovers that what precedes in making a song memorable – melody or arrangement ? Well, the answer is always a chicken and egg story. Yet, everyone would agree that a strong melody is a back bone of any composition. Appropriate arrangement works as an ornament to it. This song ‘Jeevan Se Bhari Teri Aankhen….’ is a perfect example of it. …

Lucila Pacheco and Zarin Daruwala : The Lone Stars of the Galaxy of Hindi Film Music

“A girl should be two things: Who and what she wants.” Said Coco Chanel. Perhaps the very basic need of any human is its identity and for a woman in the field dominated by men is nothing but her identity. Film Music is also one such domain wherein conventionally there have been mostly men who worked as musicians. Though there were many playback singers right from Amirbai Karnataki, Shamshad Begum …

80’s Musical Gems : Vintage Wines

By the time the decade of 70’s was fading out, the world was changing and so was the films and music. Floral designs have started disappearing from fashion. Slimmer bottom trousers had replaced Bell Bottoms. Pre recorded audio cassettes were released along with vinyl records and Disco music had begun getting its foothold in collection of music lovers. The transition from 70’s to 80’s was a major shift in the …

Majaaz Lucknowi : Aye Gham-E-Dil Kya Karoon

It was only after I stepped into Mumbai city that I truly understood the poem ‘Awara’ by Majaaz. I used to stay in Hotel Majestic which was located opposite Regal Cinema. And often during those early days in Mumbai I used to step out for long walks in the evenings. And at every step, I remembered Majaaz. Especially, when I strolled from Nariman Point and went along the lights on …

Back to Top